Tag Archive for 'The Esplanade'

Esplanade’s 10th! Actors! Critics! Talkback!

Rant & Rave. Photo courtesy of The Esplanade.

Of the four ticketed events I caught under the Esplanade’s anniversary weekend programme, I noticed something. While all four were various forms of “tributes”, there’s a slight difference in approach. The sole dance show, SideBySide, was a selection of new creations, as in “we’re commissioning you to do something new”. Is it because it’s arguably a less popular/developed/supported and smaller scene so that really, at this point, the most important thing is to push for more works?

Because in contrast, the three other pieces that dealt with theatre were completely framed by and oozed with its very history.

They formed a kind of trilogy, too. If the Singapore Musical was what National Broadway Company was about, its two smaller siblings, Casting Back and Rant & Rave offered a more lowkey but nonetheless equally satisfying look at The Actor and The Discourse, respectively.

All of them draw on one single source, of course, but I’ve said my piece re: NBC and besides, the two Theatre Studio shows have their own complementary thing going on, too. Both two-handers, Nora Samosir and Christina Sergeant took on director Casey Lim and playwright Robin Loon’s Casting Back, while it was Janice Koh and Siti Kalijah for Chong Tze Chien’s Rant & Rave.

Continue reading ‘Esplanade’s 10th! Actors! Critics! Talkback!’


Esplanade’s 10th! NBC! Cha cha cha!

Dick Lee as Benson Puah with the "candidates" in National Broadway Company. Photo courtesy of The Esplanade.

In National Broadway Company, director Ong Keng Sen has done the seemingly impossible: Here’s a nearly three hour-long package that’s both in-your-face, mass-oriented, high-quality entertainment bonanza of non-stop singing and dancing and an extremely conceptual piece of theatre.

And the thing that really amazes me is that it’s unapologetic on both counts. To describe it as either an intelligent musical or an engaging documentary performance is to dilute the wallop that this highly original work packs.

Continue reading ‘Esplanade’s 10th! NBC! Cha cha cha!’


Esplanade’s 10th! Tribute! SideBySide!

The Esplanade’s three-day love-in began tonight and there’s definitely still space in their cozy, prickly venue should you care to drop by over the weekend, which this RAT is encouraging you to do.

Lots of free stuff happening all around. Tonight the Waterfront had the, ahem, Durian Awards—an Oscars-type variety show hosted by Najip Ali complete with, ahem again, durian trophies given away past Esplanade performers.

Over at the Jendela, they unveiled the Tribute.sg exhibition (with accompanying website) paying homage to some movers and shakers of the local art scene—artists, arts managers, bureaucrats. Worth spending some time spotting familiar faces, (re)discovering others, and digesting some quotable quotes.

The National Broadway Company also opened at the Theatre while the indie music scene held court at the Recital Studio with the concert Sound>tracks.

Yours truly, however, was at the Theatre Studio, catching the totally delightful SideBySide showcase of works by independent choreographers—that ended with the unforgettable moment where a certain dude, whom followers of the Singapore Biennale and the Singapore Arts Festival may recognise as Low Kee Hong, egged audiences to cuss their hearts out.

Low Kee Hong in Daniel Kok's The Cheerleader. Photo courtesy of The Esplanade.

Continue reading ‘Esplanade’s 10th! Tribute! SideBySide!’


Flipside 2011! Communication Breakdown! Spot the difference!

 

If you’re planning to try your hand at the interactive piece Communication Breakdown, I’d advise you to do so much later in the afternoon. Believe me, walking around the Esplanade isn’t much fun in the sweltering heat at noontime.

But the piece itself, which is part of Esplanade’s Flipside festival (in conjuction with the Singapore Arts Festival) is rather nice. Created by UK group metro-boulot-dodo in collaboration with STAGES’ Jonathan Lim (who’s also into these site-specific works such as last year’s bumboat performance at the Singapore River Festival), it’s very much in the vein of spell#7’s wonderful interactive audio tours. Minus most of the audio, that is.

You follow the story of a couple who’re supposed to meet up to watch a show. Their relationship is on the rocks and the dude’s apparently late. But why make a quick phonecall when you can reminisce and walk around the Esplanade instead right?

Continue reading ‘Flipside 2011! Communication Breakdown! Spot the difference!’


The Esplanade is a spaceship! Behind-the-scenes!

The RAT wishes everyone Happy New Year’s Day! After the fact! Woot!

Don’t you think 2010 went by like a blur? Something like this photo.

My not-so-trusty camera had one too many drinks. Guffaw. Continue reading ‘The Esplanade is a spaceship! Behind-the-scenes!’


FACP! How will the IRs help Singapore’s arts scene?! MBS and RWS speak up!

There’s an ongoing conference by the Federation for Asian Cultural Promotion at Marina Bay Sands. It’s an industry event for arts managers within the region but what the hey, the RAT likes to gatecrash once in a while.

Primarily because I wanted to check out what the two integrated resorts had to say about their roles in the local arts and entertainment scene.

 

(Warning: It’s a rather long post without pictures. But it has lots of words!)

  Continue reading ‘FACP! How will the IRs help Singapore’s arts scene?! MBS and RWS speak up!’


More drama at Drama Centre!

Here’s a quick one.

The saga about the Esplanade’s take-over of Victoria Theatre and Drama Centre apparently isn’t over. This time it has to do with the part-time ushers at DC — when a “thank you dinner” last week eventually became sort of a “bye-bye” one. Gasp! Details here.


Dans Fest! Hofesh Shechter! It’s (mostly) a guy thing!

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Hofesh Shechter is The Man.

Too bad Uprising/In Your Rooms was a one-night only show. I would’ve urged every guy who thought contemporary dance was, at best, for SNAGs (do people still use this word?) to watch it.

“Dude, you know how Sex And The City works for women? Uprising is like the dance version! For us!”

Continue reading ‘Dans Fest! Hofesh Shechter! It’s (mostly) a guy thing!’


The Arts NMP on Victoria Theatre retrenchment drama!

Nominated Member of Parliament Audrey Wong (a.k.a. Singapore’s Arts NMP) has weighed in on the Victoria Theatre retrenchment issue, among other things. Here’s the statement she released to the press.

Stay tuned, because apparently, there’s more.

 

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A response to the news of retrenchment of VT staff

 

“I read with regret the news that the veterans and stalwarts who made up Victoria Theatre’s staff, have been made redundant due to the closure of the theatre for renovations. I hope that NAC will make all efforts possible to find new jobs for the staff and provide them with the necessary moral support, as many of them have given decades of their lives in service to the arts. I also hope that NAC will do their utmost to help the part-time staff too. Their passion for the arts as well as their sense of duty were a hallmark of the Victoria Theatre-going experience.

 

I have been going to Victoria Theatre since I was a child – first when my parents presented Chinese Opera shows there, and later for other plays and dance performances. VT has long had an affectionate place in the hearts of theatre audiences and artists in Singapore. A few years ago, I organised a little tour of VT led by veteran actor Han San Juan, who regaled us with tales of the glory days of the 1960s when Chinese theatre audiences packed the hall to the rafters, when cast and crew worked tirelessly for the love of theatre, and when many stage effects had to be created by hand.

 

Both the Victoria Theatre and Drama Centre have contributed to the diversity and growth of the arts in Singapore, and I appeal to the Esplanade to remain committed to the ‘open door’ policy of these theatres. This is a valuable public service, because it allows arts groups of different capacities – from large-scale to small-scale, professional to amateur – to present shows, and  broadens the outreach of the arts to the public.

 

I am sure I am not alone in expressing my heartfelt thanks and appreciation to the team at VT for their untiring behind-the-scenes work all these years.”


Toy Factory turns twenty! An alliterative blog headline!

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Don’t you think it’s high-time that local theatre companies come out with a book of anecdotes?

Just came from Toy Factory’s press conference announcing their shows for their anniversary season (most of which I’ve already reported on before). And to start it off, chief artistic director Goh Boon Teck reminisced about some of the gaffs and hard stuff they’ve had to do when the company was just starting out.

Like rehearsing their first show for an entire year – wherever they could find a place to do so, like “a bohemian touring group seeking help from everybody,” said BT.

Or nine months for their next show – hopping from one condo swimming pool to another, or one pulau to another.

As for their 20th year season salvo, Toy Factory’s coming out with a bang – by basically taking over The Esplanade in August . (But before that, To Kill a Mockingbird is still running for two weeks, and a Vesak Day show on May 28 at the Singapore Expo, where apparently there’ll be a hundred monks onstage. But it’s a commissioned work.)

What’s on for Toy 20 Theatre Festival (which is what they’re calling the whole shebang)?

In case you missed my story last year, here’s a rundown again.

HAILSTONES. A programme of video screenings of past works (Spirits, Big Fool Lee, Titoudao, First Light, Sleepless Town and The Crab Flower Club) from Aug 5 to 7, 3pm and 8pm, at the Esplanade Recital Studio. Each screening will open with an introduction from some of the respective actors/directors/designers who had worked on each of the play.

WHITE SOLILOQUY. A monologue by Nelson Chia as veteran thespian Bai Yan – who’s said to be the consummate performer (who even tried to do magic tricks on a cruise ship) known for his work with then-TCS. I’m quite interested in this one. It’s directed by Jalyn Han based on BT’s script. Nelson mentioned that they went to Bai Yan’s house to interview him and saw three to four stacks of newspaper clippings on him. It’s from Aug 12 to 15 at the Esplanade Theatre Studio.

DECEMBER RAINS. Their big show. It’s a restaging of Singapore’s first Mandarin musical, a story that spans 30 years, from the `50s to the `80s. It stars Jeffery Low, George Chan and, returning to the stage, Kit Chan. It’s from Dec August 6 to 15 at the Esplanade Theatre.

They’re also releasing a four-volume set of 13 original scripts they’ve staged in September, which I think is quite cool. (On a related note, TNS is also soon releasing another of their books, Trilogy, compiling three of Haresh Sharma’s recent plays, including the much-lauded Gemuk Girls).

PS, tickets go on sale tomorrow, March 6, at Sistic.

PPS, I would’ve posted more pix but my blog doesn’t seem to upload .tiff files. So in the meantime, Nelson Chia will be the posterboy for Toy 20. Heh.