Tag Archive for 'Baybeats'

Baybeats auditions are on again

HAVE you ever thought about playing on the world’s biggest stage? Well, you might want to try out for Baybeats then. No, it’s not the world’s biggest stage, but it can feel like it. All you have to do it audition and see if you get a spot for next year’s do.
The final bands chosen from the auditions by the selection panel will each have an opportunity to perform a 30-minute set at Baybeats 2013.

Check out what you need to do here.

Closing date: Dec 10, 6pm
Results will be announced on the Baybeats website on Dec 21.


What’s bubbling at Baybeats?

JUST a little something from the good folks at CNA about this year’s Baybeats, while will have over 50 free shows. Starring Pat Chng and Kevin Mathews as Band Members, The Fast Colors, and Fandy Razak as Band Member, The Great Spy Experiment; and Esther Chloe Masada Lee as Programming Officer, The Esplanade Co Ltd. Also featuring: Anechois, Obedient Wives Club, Plainsunset.

“You won’t get any fun from the things that you don’t do.” So make sure you’re down at the Esplanade this coming weekend, as Baybeats happens from June 29 to July 1. Get more info here.


Who wants to perform at Baybeats?

Yes, it’s that time of year again. The call for applicants for Baybeats Auditions 2012 is now open. If you’re looking for a platform that can widen your reach, Baybeats is probably one of the best ways. All you need to do is register online and submit a song performance. Shortlisted bands will then be asked to go for the auditions that apparently will start in January 2012.

This Baybeats Auditions  initiative aims to uncover and showcase local bands at Baybeats. If you get through, you’ll get to take part in a mentorship programme with prominent local musicians and perform a 30-minute set at Baybeats 2012. 

Baybeats 2012 happens from June 29 to July 1, 2012. Visit www.baybeats.com.sg to apply.

Closing date: Dec 19, 2012, 6pm. (Results will be announced on the Baybeats website on Dec 30, 2011.)

1st Round Auditions: Jan 7 , 2012
2nd Round Auditions: Feb 12, 2012


Baybeats: Liked what I saw, too bad about the jet lag

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BAYBEATS. Did you like it? Unfortunately, I could only catch like 20 per cent of the entire festival. I had to miss the first day because I was on a plane flying back from Norway. Having landed just minutes before Day 2 started, I only managed to catch the last five minutes of Run Neon Tiger’s set, Lunarin, Basement In My Loft, Elektone, Suchness (30 per cent) and Cosmic Armchair (30 per cent). And as for Day 3, I was so jet-lagged that when I woke up, it was already 11pm.

But I’ll tell you this: What I did see thrilled me more so than the entire festival last year that I DID manage to catch. Truth be told, I wasn’t expecting much this year. And after coming off two festivals with performances by Katy Perry, 30 Seconds To Mars, Smashing Pumpkins, Iggy Pop, M.I.A., LCD Soundsystem, Pavement, Miike Snow, Paul Weller, etc, I was rather “festivaled out”.

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Tired after coming off the aeroplane, but Lunarin’s set quite engaged me. Sure, I wished bassist/singer Linda bantered a little more, but I must say I quite liked their performance. As for BIML, I thought they were taking things a little too seriously, when there came the incident involving a girl who was videoing their set and told to stop by the security, which followed with a little merry chase. That was the funniest bit for me. I also liked Elektone’s set at the Concourse, but someone please tell me why Suchness and Cosmic Armchair had to come on at the same time?

Here’s what the good folk at the Esplanade had to say about this year’s Baybeats:

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“Despite the fact that Baybeats was held in the midst of the Youth Olympic Games (YOG), we had a good turnout of over 70,000 people over the three-day festival. Although there was a slight drop in audience attendance this year, it is understandable as the festival took place alongside the extensive YOG and YOG fringe activities which involved thousands of local youths in various levels of participation. However, it was heartening to spot some YOG participants amongst the crowd during Baybeats as well. We were glad that our audiences who came enjoyed themselves and we also achieved our programming objectives of presenting a line-up that is exciting and dynamic, which also pushed our audiences’ boundaries.

“A key goal of Baybeats is to keep things fresh and cutting-edge, and to stay relevant to our audiences’ and artists’ needs. This year, we wanted to introduce an even more diverse line-up of sounds, to expand our audiences’ palate with new experiences and acts. Several new elements were introduced to the festival, which included new genres such as New Rave (by Brazilian DJ duo Mixhell) and Electro Punk (by Canadian band Handsome Furs). By bringing in these new sounds to Singapore, we feel that we have managed to successfully challenge the audience this year. It’s always tricky trying something new but our audiences have proved to be sophisticated and mature in embracing these new sounds as the gigs were well attended with audiences asking for encores at the end of their sets.

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“To engage our community so that more people can be part of the festival, Esplanade has been actively involving youths in the different activities for Baybeats. As compared to previous years where we only had a few Esplanade Youths – an initiative established in 2004 that seeks to encourage youth involvement in the arts – as our emcees, this year all our emcees engaged for the festival were made up of Esplanade Youths. Nine Esplanade Youths also formed the Baybeats Street Team to help spread the word about Baybeats 2010 by blogging or tweeting everything about the festival. In addition, students from Nanyang Polytechnic created the Baybeats Flashback Station video installation where they produced video clips of the festival in the past three years for the public to view at the Esplanade Concourse. After a month-long mentorship programme by local photographer Aloysius Lim, the six budding photographers, selected from over 50 submissions, had their first taste of photographing for Baybeats as well. Some of their works will be chosen to be exhibited at the Esplanade Community Wall during Baybeats next year.

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“Adding more buzz to the exciting line-up of free performances, the Baybeats festival village was also expanded to feature more independent local craft-makers, designers, artists and independent music labels this year with its collaboration with reputable and popular local bazaar specialist Flea-tique! that is known for their fun and eclectic bazaars. This allowed regular followers of the Flea-tique! bazaars to also experience the spirit of Baybeats and Asian alternative music!

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“Social networking mediums such as Facebook and Twitter are also essential in helping us spread the word and engage as many audiences in Singapore and the region as we can. The Twitter account set up earlier this year helped us keep in close contact with the public, taking into consideration their feedback, comments and suggestions. This was especially useful during the festival as the team kept fresh tabs on people’s comments as well as provided a “live” feed to our Twitter account so people can follow our text, photos and video tweets stream.”

That’s what the Esplanade had to say, but what about you? Leave a comment here.

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And if you want better images I think Aloysius has some on his FB page?


Ah, those block rockin’ (Bay)beats

Anberlin taking the stage at Baybeats 2009.
Anberlin taking the stage at Baybeats 2009.

WHEN Anberlin rang off their last note at Baybeats 2009 last weekend, it didn’t take long for naysayers to start complaining – yet again. This time, it was that the sound wasn’t loud enough.

However, if what I heard was anything to go by, it wasn’t so much the volume level, but the mix that wasn’t up to par. Still, that’s all water under the bridge, innit? We should be happy that there is a Baybeats at all.

Why? Because, the rumour-mongers say, Baybeats won’t be back next year.  Apparently, the residents around the area are already complaining it’s too noisy; with the integrated resort coming up next year just across the water, even a speakerphone might be too loud.

Do you think the construction site workers might think Baybeats is too loud?
Do you think the construction site workers might think Baybeats is too loud?

Can you imagine if there was no Baybeats? I can’t.

Thankfully, neither can the good folk at the Esplanade. When we asked them about whether, if complaints continue, they would move the show indoors or rejig the Baybeats formula, they emphasised their support for keeping the festival as is. Here is an excerpt from the reply offered by Ye Junmin, programming officer, The Esplanade Co Ltd:   

“As a key alternative music festival in Singapore and the region, Baybeats brings to audiences a fun, fresh and free-for-all weekend celebration of great music outdoors. While we have programmed bands to perform at our smaller indoor locations at the Observation Deck (library@esplanade) and Chillout Stage (Concourse) for different sounds and purposes, the nature of Baybeats, the audience it attracts and the type of sounds it showcases tend to work best in outdoor venues which cater to a larger crowd.

Seah Weiwen's quieter concert - but still effective.
Seah Weiwen’squieter concert – but still effective.

“Noise constraint is not an issue at Baybeats as the volume of the festival as well as all our other outdoor performances has always stayed within the recommended sound range stipulated by National Environment Agency (NEA) and this will continue to remain so.

“For Baybeats in particular, we’ve managed to maintain a comfortable sound level for both the artists and our audiences all these years.  We understand that for some of our audiences, the louder this kind of music, the more highly charged the atmosphere will get, and they may have been disappointed with the sound levels; but we also have to be mindful of our new neighbours around the bay area.

Charge of the Anberlin brigade.
Charge of the Anberlin brigade.

“This year, to ensure that Esplanade remains a responsible neighbour, we worked with our artists to keep the sound levels within the permissible range while ensuring that their performance and the audience experience were not compromised.   

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“That being said, the fact remains that Esplanade is located in the heart of the civic district and the very buzz that attracts people to this area is also the verve and energy created by what takes place around the bay. Thus, people who choose to reside in the city will, from time to time, experience activity levels that reflect this buzz and energy.”

I couldn’t have put it better myself. Sometimes we need to shake things up a bit; and if you can’t do it at Baybeats, what then?

Thanks to The Esplanade for the Anberlin pictures.