Tag Archive for 'Academy Awards'

” There is something about Carey…” Flick Chick’s chat with the ingenue Carey Mulligan in Cannes

TODAY EXCLUSIVE!!

There’s something about Carey. Really, there is. She’s that rare and alluring package of beauty, brains and talent that isn’t at all aware that she is in possession of the ultimate superstardom tri-fecta. And Flick Chick isn’t just saying it because the young Oscar nominee commented on how much she loved the dress I was wearing (thanks Carey!)

Flick Chick with the gorgeous and lovely Carey Mulligan

Flick Chick with the gorgeous and lovely Carey Mulligan


“It’s gorgeous and you look great! Where did you get it?” the luminous Ms Mulligan enquired almost shyly in that cool crisp English accent as she sat down for an interview with TODAY at the Hotel Du Cap. She was in Cannes to promote Wall Street: Money Never Sleeps, which world premiered at the 63rd Cannes Film Festival earlier this May.

It is this very un-pretentious, completely disarming nature of Carey Mulligan that warms you instantly towards her like an old school friend, and make you completely forget that she’s actually currently one of Tinseltown’s hottest, most sought-after commodities- a bonafide Hollywood rising “ IT” girl.

And she’s one of those rare few that actually deserve the kudos. After all, the 25 year old ingénue more than held her own as Winnie Gekko in Oliver Stone’s sequel to his critical and commercial 1987 hit Wall Street amongst a veteran cast comprising of Michael Douglas, Josh Brolin and Frank Langella. As the grown-up estranged daughter of 80s villain-hero slick corrupt banker Gordon Gekko (Douglas) who is engaged to new hotshot banker Jake ( played by real-life beau Shia LaBeouf) , she was the rose among the thorns in the male heavy cast and a classy breath of fresh air. She didn’t get a Best Actress Oscar nom for owning every scene in 2009’s An Education for nothin’… OK!


Flick Chick: So what was it like being (almost the only) girl in the big boys club?

Carey Mulligan: It was great. I was daunted by the whole thing, because of Oliver and his reputation (laughs). And just being in such a strong cast. It’s always the biggest budgeted American film I’ve ever been in… so it was nerve-wrecking. Also because my character was completely invented and I had such fears that she was going to be the token girlfriend… that sort of thing. But Oliver managed to tell both stories very well and to link them well.

Flick Chick: Are you a fan of the original?

Carey Mulligan: I … am… NOW! (laughs) I mean , I saw the original for the first time when I was 12, and it came out when I was 2… so it wasn’t a teenage film sort of film. I wasn’t really interested in films when I was growing up.

Flick Chick: Gasp…You didn’t?

Carey Mulligan:I mean, I liked going to the cinema to watch Jurassic Park, Titanic,and things like that… I wasn’t into these kind of films. But then I watched it before I met Oliver. And then Oliver wanted me to watch it again and again. He asked me to watch all of his films… hahahha! But he wanted me to watch it to sort of try and incorporated some of Michael’s characteristics and mannerisms. And some of the things he’s tried to do in the original film. And I tried to but really, she’s so far removed, the way my character is written. And she really never grew up with this man.. he’s been in prison. So that didn’t quite pan out in the end (laughs)

Flick Chick: So it must have been a whirlwind since the incredible success of An Education…

Carey Mulligan: Yes! It all happened so fast. I kind of thought it was going to be an Arthouse thing and play to a few cinemas in England. I never thought it was going to get a release in America. And then it happened. And the last 6 months running up to the Oscars…it all happened very fast. It just went by like that. But it was all good stuff! I was astonished and incredibly grateful. But it was bizarre, to be doing so much of something that isn’t your job, you know…

Flick Chick:So it was a sort of An Education in way?Did you learn anything since then about being thrown into the limelight?

Carey Mulligan: Yeah, I had never done any press at all until the film premiered in Sundance ( Film Festival) I had done one interview in England for a TV thing I did. So suddenly, to be doing lots and lots of interviews…wow. I think I learnt to stop swearing to journalists because it really upsets my Mum!

Flick Chick:Hahaha!

Carey Mulligan: (laughs) But no, I don’t think I’ve changed hugely personally, really. Just work has changed. And even then, it’s not to the degree you would imagine. Of course, it’s much easier to get the opportunity to meet people and express an interest (in films that you might want to do) but it’s not the case of getting an array of offers. I still have to audition for the jobs that I want. And I still don’t know what I am doing next.


Flick Chick: I cannot believe that! Do you think Wall Street: Money Never Sleeps is going to be the game-changer for you in Hollywood?

Carey Mulligan: I don’t know! I was terrified coming here because I thought people were going to be like, “ Oh she was nice in An Education, but she should stick to teenage girls.” It’s really scary if you had something that was really successful to then follow it up and hope that people don’t rip you to pieces. So I was really nervous actually… I was nervous when my agent saw it, you know. Because I was so excited to work with Oliver but I was initially nervous before I said yes to the job just because at that point An Education wasn’t a big deal yet.

Flick Chick: You seem to be drawn to serious roles. Are you a serious person?

No not really! (laughs) I am just not very good at comedy (laughs). So I do dramatic stuff.And I find all that kind of work cathartic. I get a kind of a buzz out of doing drama.

Wall Street: Money Never Sleeps is in cinemas now.

XOXO,

Your Flick Chick

G


“Greed is good…” but the full unexpurgated interview with the legendary Michael Douglas is even better!

TODAY EXCLUSIVE!!!

Heya Film Fans! Flick Chick here,  hoping you guys liked my cover story and interview with the legendary Michael Douglas (TODAY newspaper 22nd Sept)

Courtesy of Twentieth Century Fox

Courtesy of Twentieth Century Fox

For those of you wanting more, here’s  my interview with  Gordon Gekko himself … unexpurgated. Enjoy!

WHEN Michael Douglas asked me if I was warm enough (the balmy spring weather had suddenly turned nasty) as he sat down for our interview at the Hotel Du Cap Eden-Roc, it never occurred to this silly journalist to enquire how he was feeling. Major fail, I know.

This was Gordon Gekko, for goodness sake. He’s the infallible movie star who braved the Black Rain, had the Basic Instinct to survive a Fatal Attraction (but not so much Kathleen Turner’s attempts to kill him in The War Of The Roses).

Mr Douglas, I do apologise.

At the Cannes Film Festival in May to promote Oliver Stone’s highly anticipated Wall Street : Money Never Sleeps, I’d simply assumed that his slender, somewhat frail, frame was due to the strain of having his 31-year-old son Cameron sentenced to five years in jail for drug offences. Not to mention that the two-time Oscar-winner (for producing Best Picture One Flew Over The Cuckoo’s Nest, and a Best Actor win for Wall Street) is already 65 years old.

Unfortunately, it was a manifestation of something much bigger. Douglas shockingly revealed on his David Letterman appearance this month that he has Stage 4 throat cancer. It’s not good. But, as always, the tough guy who plays tough guys roles is being, well, tough.

Douglas has publicly said that he has at least an 80-per-cent chance of recovery, and told Letterman that “it does improve”.

And as he sprinkled his old-school movie-star dust all over our interview, joking and keeping strange reporters warm, you can’t help but root for the guy.

“You work as hard on your failures as you do on your success,” he said of his iconic characters. Big C or not, there is no keeping Michael Douglas down.

Michael Douglas as Gordon Gekko in a scene from the original 1987 Wall Street

Michael Douglas as Gordon Gekko in a scene from the original 1987 Wall Street

So, Michael, are you happy to come back to Gordon Gekko?

Am I happy? Now I am…yeah! Hey, it was a great part. One of the best parts I’ve ever had. So why not? It was a fantastic part. I got an Oscar (laughs) ,Somebody asks you to play the role again, but now this time, rather than being at the top you’re at the bottom. So yeah, I am very happy to come back.

So did you re-watch the original before the shoot? Did Oliver (Stone) make you?

It is 22, 23 years later. I figured I didn’t have to worry about continuity or anything! (laughs) Nah, We just talked about it.  And he said he wanted to deal with it in real time so I said ok!

What was it like returning to a role that must have meant an awful lot to you? Revisiting something like that must make one think…

Well I was really happy that we made the decision to do it the way we did. It’ll be a little depressing to try and do a Gordon Gecko 22 years later…. And all you had to look at was how old you’ve gotten ( laughs) I really felt that it was the only way to go- to book end it.

How do you feel about Gekko becoming a hero in the community with his “greed is good” motto?

I feel really weird. It’s one of those things I just can’t explain. Except that everybody likes a good villain. It’s a really well-written, beautiful part, and he had some famous great lines. So many have come up to me over the years to say, “Man, you are the single biggest reason I got into the business. I watched Wall Street, and I wanted to be Gordon Gekko.” I talk to these young MFA, MBA students who just worship Gordon, and I said to them, “Come on! The man broke the law – insider trading, destroyed companies…” And they said: “Yeah, yeah, yeah … but he looks really good.” (Laughs.)

Maybe it’s like those Mob movies where the gangsters are looked up to…

I think so. Must be. It’s really weird.  Oliver and I just never got it with those guys. Except now, as we look at all the trouble they’ve gotten themselves in.  22 years ago, all those guys are probably the same guys who are running these companies now… you know? Nobody seems to have picked up anything.

Oliver stone has a reputation for being a tough director. How has he changed as a director then and now?

He’s confrontational, you know? Not to me personally, although at that time I took it personally. But he tests his actors. He pushes you.  He’s more like a professional sports coach with professional athletes. He’s not there going “Oh I know how insecure acting is” and being a patriarch figure. 22 years… he hasn’t changed a whole lot. He still burns the candle at every which end. I don’t know how he does it. And just when you think he’s going to fall asleep in his chair, he hears you completely and he’s got really good direction for you. And as I sat there watching (at the film’s worldwide premiere in Cannes) in awe, I thought, “This is truly good filmmaking.” He’s a really good filmmaker.

And how have you changed since the first film?

I probably am more comfortable with myself and don’t try as hard. (Sniggers.)

Michael Douglas reprising his role as Gordon Gekko in Wall Street: Money Never Sleeps

Michael Douglas reprising his role as Gordon Gekko in Wall Street: Money Never Sleeps

You don’t seem keen on sequels, save for Romancing The Stone, and now this. You weren’t in Basic Instinct 2 ...

You want to see my saggy ass? (laughs) You talk about good parts, and in the first one (Basic Instinct), that was a great part. I love Sharon and she was wonderful. But yeah, we did that and I didn’t feel the need to do it again. That was a tough one to do and we pulled it off. I don’t usually like sequels. They call this ( Wall Street: Money Never Sleeps) a sequel,but I see it more as a book end.

Ok, so no sequels.  So what are the other things you look out for in a movie role now?

It’s always been the same. A good script…a good movie. I like a good movie and I really don’t care about the parts. Never cared about the parts. Sometimes you get a good part, you know? Sometimes you don’t. But I am not really thinking about that now. I am sitting here, happily married. Got two young kids… plus it’s a great time to work on nuclear disarmament in terms on what’s going on out there.

Yes, you’ve been a longtime nuclear activist. Is it important to make films with an agenda, a “message”?

I’d like to if I can. But you can’t just make a “message”. As expensive as movies are, if I can get two hours of entertainment, and also a little food for thought, that’s great. Unless I am doing a documentary, I try to make entertaining movies. And if I can slip in a little message – groovy.

Well, there is a lot of message in Wall Street and Wall Street: Money Never Sleeps

Oh yeah, there is a lot of message in a lot of pictures I’ve done. But hopefully, they entertained first or nobody would be quite interested in them…

Michael Douglas with Shia LaBeouf in Wall Street: Money Never Sleeps

Michael Douglas with Shia LaBeouf in Wall Street: Money Never Sleeps

Would you do action movies again?

I don’t mind.As long as I don’t have to run. The last one I did (2006′s The Sentinel), I was running, and Eva Longoria passed me! And she was in high heels! (Laughs.) I said to myself, “Holy sh**! I’m in trouble!”

Well, your much talked about next role as flashy gay entertainer Liberace ain’t no action movie (or maybe it is!). What attracted you to that role?

Haha. It’s going to be so much fun. He’s such a lovely guy, so colourful. And part of it is that Matt ( Damon) is in it and has agreed to play my young lover.

Matt as your lover? Now that must be the ultimate mind boggler!

Yes I know! God bless him! It’s fine for me, at this point in my career. Heck, I’ll try anything! But I said to Matt, “You’re a brave man. Here we go!” (Laughs.)

Are you worried about how you’d go about playing such a flamboyant real life character like Liberace?

Not really. I guess I sort of made a career playing guys who you wouldn’t think you’d like, and gotten away with it.  Be it in Fatal Attraction, Solitary Man…even Gordon Gecko. He’s the charming rouge or whatever you want to call it. So no, I am not too worried about it.

So I guess the big question is will you do a Wall Street 3?

Oliver and I will be wheeling onto set … creaking! Ha ha!  Well, listen, Kirk (Douglas, his father) is 93, and he’s thinking about doing another picture! If they can afford the insurance… (Laughs.)

Yes, it’s obvious longevity is in the genes.

Yeah, I’m very lucky. (Smiles)

So you’d do it?

There is something good in this second Wall Street movie. I was thinking this would certainly be a good reflection 20 years later, to give people some sense of what was happening in 2008. Yeah, I’d do it!

Wall Street: Money Never Sleeps is in cinemas now!

For fans of the original ( like me) or even those we aren’t, it’s still worth going to the cinemas to catch it!  ( Read my movie review here OR here)

Till then, always remember to Snap, Crackle and PopCorn!

XOXO,

Your Flick Chick,

G


“What just happened back there?” – Oscars ceremony 2010 review (or not)

I’M watching the telecast of the 82nd Academy Awards again and I have to say, this is the – for lack of a better word – disjointed Oscars ceremony I’ve seen in a long time. Not the most boring, thank goodness, because there were enough blips as well as woots to keep things interesting. Such as…

1) TWO hosts for the show. Steve Martin and Alec Baldwin. Which begs the question: WHY? While the jokes themselves were quite funny (Steve telling Zac Efron and Taylor Lautner “Take a close look (at us) guys, this is you in five years”), Steve and Alec together were not. Steve had the best deliveries of course, while Alec  looked like he was trying to be Steve. Solo, next year? Please?

2) Christoph Waltz, Best Supporting Actor of brill film Inglourious Basterds. His thank-you speech about going on an expedition with Quentin Tarantino – brilliant. “I can’t thank you enough, but I can start right now…” Thank you, Christoph.

3) Nicolas Schmerkin, producer of Best Animated Short Logorama. Not only a great idea for a short, but his thank-you speech was great too. “I must thank the 3,000 unofficial sponsors… no logos were harmed… it took six years to make this 16-minute film… So for my feature film, I expect to be back here in 36 years.”

4) That dance routine to highlight the music scores. Especially the interpretative dance for The Hurt Locker. Wow. What the heck was that all about?

5) The thank-you speech for Best Documentary Short, Music By Prudence: Director Roger Ross Williams’  had just begun his acceptance speech when Elinor Burkett, a producer of the short, cut in with, “The man never lets the woman talk, isn’t that just the classic thing?” (Apparently, the two had a falling-out over the direction of the short, and Burkett was removed as a producer almost a year ago but still qualified as a nominee according to Academy rules.) Only one person is allowed to accept the award and they did not discuss any arrangements before the ceremony. And we thought only Kanye West did such things at awards ceremonies…

6) Sandy Powell’s thank-you speech for winning Best Costume Design, which began something like, “I already have two of these…” What the heck was that all about? Is she trying to NOT get nominated any more? “Heck, she’s already got three…”

7) Cameron Diaz calling Steve Carrell “Jude”. As in Jude Law. Who apparently was supposed to have done the slot but couldn’t make it. Which of course begs the question: Is Jude seeing Cameron? Why Steve to replace Jude? And why didn’t they get Cameron and Steve to host? They were funnier.

8) Ben Stiller appearing as a Na’vi. And his line, “When I announce the winner, I’m going to stand as far away from them as possible so as not to demean their moment of triumph.”

9) Tina Fey and RDJ (that’s Robert Downey Jr, to you) gave what was probably the best introduction to a nomination presentation. RDJ’s best line: “Actors want scripts with social relevance, warm-weather locations, phone-call scenes that can be shot separately from that insane actress that I hate and long, dense columns of uninterrupted monologue.” Tina’s best line: “Writers want actors who can memorise…” Why didn’t they get these two to host? They were funnier.

10) Tim Robbins’ nod to Best Actor nominee Morgan Freeman: “I remember what you said to me on the last day of shooting (The Shawshank Redemption), you said, ‘A friend is someone who doesn’t mind getting a coffee, and you don’t mind getting one for me, right Ted? It is Ted, isn’t it?”

11) Stanley Tucci’s nod to Best Actress nom Meryl Streep: “I have asked the Academy to cap the number of nominations at 16.”

Other than that, the show was as usual: Long, backslapping and if it weren’t for the fact that hotties and hunks would be on the show, few people would tune in. So who’s ready for next year then?


“I’d say about twenty guns. Some on the surface, some on the towers.” – Star Wars Death Star sequence = Dam Busters sequence?

I used to consider myself a original trilogy Star Wars fan. I like it so much I even call it SW.

Which was why I was researching Frank Barnard’s new book, the guy who wrote Band Of Eagles and Blue Man Falling, and I chanced across The Dam Busters, an old Brit movie which I’ll call DB starring Richard Todd and Michael Redgrave about these bomber pilots taking out a couple of dams in Nazi Germany.

dambusters-poster

And I was shocked, nay, astonished, nay, quite surprised, to find that George Lucas actually cribbed, plagiarised, borrowed, stole, you name it, from that movie.

Okay, we already know George admitted to being “influenced” by Akira Kurosawa’s Hidden Fortress and 633 Squadron vis-a-vis the Death Star trench attack sequence. But from DB too?

Cases in point:

In DB: The bombing flights are in groups of three. In SW: The attacking flights are in groups of three.

DBpainting

In DB and SW, two craft give cover to the attacking craft.

Both DB and SW cut dramatically from the thick of action to seeming solace of the war room.

The trench run in SW mimics the dam approach in DB.

In SW, Red Leader, the first one to successfully release the proton torpedoes, appears to have hit the target but doesn’t. In DB: The squadron leader, the first to attack, appears to have bust the dam, but doesn’t.

 

But what really takes the cake is the fact that he was so “influenced” by the attack sequence in DB, that he lifted the dialogue almost word-for-word from that 1955 movie. Here are some instances of George turning DB in to SW.

xwing_ywing_leaving_yavin 

DB: A pilot says, “How many guns to you think there are, Trevor?” Trevor replies: “I’d say there’s about ten guns, some in the fields and some in the towers.”

SW: Gold Leader asks, “How many guns do you think, Gold Five?” Gold Five replies: “I’d say about twenty guns. Some on the surface, some on the towers.” 

 

DB: As the bombers fly towards the dam, one crew member exclaims, “My goodness, it’s big, isn’t it?”

SW: As the fighters fly towards the Death Star, Red Two exclaims, “Look at the size of that thing.”

anh_wedge7  

 

DB: A pilot says, “I reckon we should be able to see it by now.” The others in the crew say, “No sign of it” and “Plenty of water, no dam yet… wait!”

SW: Red Ten says, “We should be able to see it by now.” Luke Skywalker says, “No sign of any…wait!”

 

dam_busters_xl_01--film-B 

DB: Squadron leader says: “I’ll fly across the dam and try to draw their flak off you.”

SW: Red Leaders says: “I’m going to cut across the axis and try and draw their fire.”

 

Mind you, George got an Oscar nomination for Best Writing, Screenplay Written Directly for the Screen at the 1978 Academy Awards. Guess those Academy people didn’t watch Brit movies. Check it out here: http://www.youtube.com/watch?v=lCRIsjJFRNo&feature=related